Andy Warhol, Thirteen Most Wanted Men, 1964
It was huge: 20x20, silkscreen on masonite, on the New York State Pavillion. It was to be on display for the New York World’s fair, however it was destroyed by the State because of its display of criminality. It wasn’t so much that the paintings were of criminals, but that they were exploring queer desire. Warhol’s piece was destroyed because it was read as a display of homosexual desire, and as protest against the criminalization of homosexuality in the public and private sphere.
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